October 26, 2012

The Maple


When times of desperation greet me
With tempest and with livid storm
And violent winds wish to defeat me 
And swallow me within their swarm

I will remember where I’m rooted
And there with courage will abide
And though the winds my leaves have looted
Maintain my faith though it be tried

So let the darkest storm clouds thunder
Let rain and wind their havocs wreak
The world around me wide will wonder
How I am strong, yet seem so meek

-jwm

Of the Poem:

Stanza:
Quatrain
Meter: Nine syllables with lines 1 and 3, tetrameter with 2 and 4
Rhyme Scheme: abab per stanza

The idea came from a parable Arthur Schopenhauer (I think it was Schopenhauer) told about a pine tree- the point of the parable being that pines, though they're not the most becoming of trees, are nobler because they're less susceptible to change unlike other, more beautiful, deciduous trees.

The reason for the poem, unfortunately, is a tough time I'm going through (a sort of reminder to myself to be strong) .

October 24, 2012

A Very Cool Poet


Denise Levertov, born this day in 1923,  is the first female Beat poet that I began to read and study … I love her- her style is cool, the way she employs imagery is cool, her chosen subjects are cool, and I’ll go as far as to say that she’s among the coolest of the Beat poets.

This poem, St. Peter and the Angel, is an awesome story about deliverance and the curious mixture of dread and jubilance that comes with the realization of it. Check it out, you’ll enjoy her storytelling, I promise …



St. Peter and the Angel
by Denise Levertov (1923 – 1997)

Delivered out of raw continual pain,
smell of darkness, groans of those others
to whom he was chained--

unchained, and led
past the sleepers,
door after door silently opening--
out!
    And along a long street's
majestic emptiness under the moon:

one hand on the angel's shoulder, one
feeling the air before him,
eyes open but fixed . . .

And not till he saw the angel had left him,
alone and free to resume
the ecstatic, dangerous, wearisome roads of
what he had still to do,
not till then did he recognize
this was no dream. More frightening
than arrest, than being chained to his warders:
he could hear his own footsteps suddenly.
Had the angel's feet
made any sound? He could not recall.
No one had missed him, no one was in pursuit.
He himself must be
the key, now, to the next door,         

October 09, 2012

An Elegy to Heather Tripler

This poem is a repost that I dedicate to the memory of Heather Tripler, a young homeless lady who died in a small park in Grand Junction this day in October of 2008. We’ll never forget you, Heather.

  


Emerson Park
An Elegy on the Passing of Heather Tripler

There’s snow there now where once she lay
Alone that Autumn eve
And though that day seems far away
I still lamenting grieve

For she- a daughter, mother, friend
She pined, I’m sure, in grief
For hard distraught there came her end
By Death, that surly thief

She roamed, she roamed through deepest dark
Alone, no friend to guide
And when she came upon that park
There on a bench she died

No tear went forth, nor word was said
To her who lay asleep
Til angels by her bed were led
In solace ever deep

“Awake, dear child, slumber’s past”
They said in one accord
“Come to the warmth and light at last
For therein is the Lord”

-jwm



Of the Poem

It was 2008, October 10th, when I was home from work and the news was on. A young lady, it was reported, was found dead on a park bench in Grand Junction. She was 34 years old, homeless, and apparently died there as a result of alcohol poisoning. I was utterly grieved by the news of this.

Words elude me. What can I say that might articulate the emotions that are stirred up in me even at this moment? How can I articulate the content of so tragic an event as Heather’s?

Perhaps these words, written to Heather’s mother, might express them the best …

"As I mentioned to your sister and your daughter, I’m so sorry for your loss. My daughter is 9 years old, and it would wreck my world if I lost her. This is honestly the closest to empathy that I can reach with regard to the emotional pain I’m certain you feel. I’m truly sorry that you and your family are without Heather. Any attempt to console you I imagine is fruitless, yet I have no doubt that you’ll see Heather again in the hereafter.

I don’t know Heather, but the first time I heard of her plight it grieved me so heavily that I still have difficulty articulating it. It was shortly after she died that the first snowfall of the year occurred, and as I was standing at my doorway looking at this beautiful sight I couldn’t stop thinking about her and that dreadful event. It was then that I felt, deep in the inner reaches of my heart, that I had to memorialize her in the form of a poem; that I had to say ‘something’ in honor of her.

I didn’t know what I would write, but there were two simple rules that I knew I had to follow … first, let the poem come to me rather than forcing too many ideas onto it; and second- and perhaps most importantly- to write it as if Heather were standing right there watching me write it (so as to get a sense of her approval, I think).

Those were the hardest 20 lines that I’ve ever written in a poem, but when I completed them I felt a beautiful sense of connection with Heather.

In the end I feel my point was to express (in the first stanza) the anguish I felt when I first heard of her death; to express (in the second and third stanza) her humanity in the midst of that lonely night- which the media seemed to entirely ignore; and to express (in the last two stanzas), the best way I knew how, her reception into the arms of the Lord.

The truth is, I wanted to express to Heather herself that I was listening. My original intention was to keep the poem to myself, but the second I finished it my conscience compelled me to try and contact her family and share it with them- and I did.

I’ve thought about Heather so much over the last two years. And though I’ve never met her, I’ll never be able to forget her."

September 25, 2012

Shel Silverstein

I’ve heard lots and lots about you, and have not read one thing you’ve written … this, will, change. 

September 24, 2012

No Longer Mute

Wow … after a grueling 3 months of Muselessness, out of nowhere Calliope appears! 
 


















Of a Mute 

He walks- in speechlessness he lulling strolls
Investigating gnarly twigs that fell
And fall'n autumn leaves that languish, lacking souls
Is he within a heaven, or he a hell 

The world around him-animated- threats
And he, a foreigner to it doth shy
As too the loneliness that in me frets
I know his state removed from all, but why

Is he, like me, in dreadful mystic state
Is worldly beauty too much for him to bear
Receiving it with joy, but too with fear

Or, and God forbid I ask, is his fate
A curse? Or even worse- does Life not care
That he's caught between the Now and Nowhere

-jwm


Of the Poem (Parameters) 

Stanza: A hybrid between an English sonnet and a French sonnet
Meter: Pentameter (line 10, however, has ten and a half syllables)
 
Rhyme Scheme: abab cdcd eff eff


Side Note

I promise I’m not exaggerating when I say that I thought I was suffering Rimbaud's fate (a very famous French Symbolist poet who, at the age of 19, abruptly ceased to write poetry for the rest of his life).

The poem, done within 30 minutes after a 3 month dry spell, was inspired by a neighbor boy who is autistic (I think) and very quiet and very, very standoffish. It’s not about him, but definitely influenced by him.


September 13, 2012

Rilke on Canvas

Ran across this canvas representation of the well known German poet, Rainer Maria Rilke ... nicely done! Check out this poem:


Moving Forward

The deep parts of my life pour onward,
as if the river shores were opening out.

It seems that things are more like me now,
That I can see farther into paintings.
I feel closer to what language can't reach.
With my senses, as with birds, I climb
into the windy heaven, out of the oak,
in the ponds broken off from the sky
my falling sinks, as if standing on fishes.

Rainer Maria Rilke


****

I love that imagery … as if Rilke were watching a little bird flying out of an oak tree into the windy sky, but watching this happen through the medium of a pond of water (then imagining that the bird’s flight was descent into the deep). Very cool … read it again:



With my senses, as with birds, I climb

into the windy heaven, out of the oak,

in the ponds broken off from the sky

my falling sinks, as if standing on fishes.

September 10, 2012

In-fricking-credible!

I swear, as much as Pound and Eliot annoy me, the best thing that came out of the Imagist movement was without qualification Hilda Doolittle- one of thē most incredible poets to put ink to page. Happy birthday, lady …

Serious, experience how she employs poetic imagery so magically … in-fricking-credible!




Orchard

I saw the first pear
as it fell--
the honey-seeking, golden-banded,
the yellow swarm
was not more fleet than I,
(spare us from loveliness)
and I fell prostrate
crying:
you have flayed us
with your blossoms,
spare us the beauty
of fruit-trees.

The honey-seeking
paused not,
the air thundered their song,
and I alone was prostrate.

O rough hewn
god of the orchard,
I bring you an offering--
do you, alone unbeautiful,
son of the god,
spare us from loveliness:

these fallen hazel-nuts,
stripped late of their green sheaths,
grapes, red-purple,
their berries
dripping with wine,
pomegranates already broken,
and shrunken figs
and quinces untouched,
I bring you as offering.



Yep ... awesome ...

August 31, 2012

Muselessness & Rilke


I wrote, a few days ago on Facebook, the following: "Museless since June. God forbid the thought that I become like Rimbaud and never write a poem again …"

A poet friend of mine responded: “
Don't worry...she will return. I've had long dry spells too....but I found that reading more poetry helps get the juices flowing again or at least helps fertilize the imagination for future work.

So I've decided that, uh, on the advice of Mr. Daniel Klawitter, I'd see if a heavy dose of Rilke can shake things up … 


August 01, 2012

Winter Cometh


Emily Bronte is among one of the very first female poets that I came to know, and a poet that I deeply respect (The Old Stoic, a delightful little poem about the desire to live in freedom, was the first poem of hers I read). 194 years ago on this day she was born, and so I thought I’d browse some of her works, and perhaps post one of them here … hence today’s post.


'Fall, Leaves, Fall'

Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.

I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night's decay
Ushers in a drearier day.



Of the Poem:

On a superficial level this poem speaks of the poet’s delight in the coming winter, where the nights are longer and snow and ‘drearier’ days shroud the landscape. It is within the midst of an autumn that the poet happily anticipates, like myself at times, the cold and snowy months to come: Every leaf speaks bliss to me / Fluttering from the autumn tree.

But one other possible meaning, a bleaker meaning, weaved tacitly through the poem, may exist.

Little is known about the last two years of Bronte's life, but what is known is that in October of 1848 her health began to falter drastically. Her brother, in the month to follow, would succumb to tuberculosis. It’s said that she was also afflicted by the illness, and that she refused all medical attention (for reasons I’m still not quite clear on) until finally,
on December 19th of the same year, she would succumb to her afflictions as well.

Often in the past people have used the seasons as symbols for the diverse stages of life- spring symbolizing birth, summer adolescence, autumn late adulthood, and winter old age and death. It’s obvious that the poem is referring to a desire for winter to come (interestingly, she doesn’t ever use the word ‘winter’ at all).

Is it possible that Bronte wrote this poem indicating a desire to move on from life to death? Is it possible that her illness was too much to endure, or that her brother’s decline and death affected her terribly, or that she wanted to be ‘released’ from the crippling onslaught of so cruel a disease?

It’s just a curious thought, and I’m by no means indicating that our poet was suicidal- far from it! My own guess is this … if this poem was composed during those obscure last years, then the likeliness that it was a cryptic work referring to a desire to die is at least there; if it was composed within the last few months of her life, I’m persuaded on the point. I don’t know … you tell me. 

Happy date of birth, dearest poet ... you're remembered.

July 16, 2012

Lo Seguitai Felice


Now THAT is the mindset of a 'down' lady (from the Vivaldi L'Olimpiade Opera, Act III, ‘Lo Seguitai Felice’):


Heureux, je l’ai suivi
quand le ciel était serein 
je veux encore le suivre 
les jours de tempête.

*translated:

I followed him happily 
when the sky was cloudless, 
I shall still follow him 
when there are storms in his breast.

To have that type of fidelity from a female is overwhelmingly invaluable! Just sayin' ...

July 10, 2012

Incredible, Incredible Poet!



I discovered this Russian poet last week (he’s of the late Romantic period
). I cannot- not even remotely- express how utterly floored by his works I am. Philosophical, mystical, wreaking of love and spiritual undertones … this poet is a poet genius. You must, MUST seek out and read his works- or you’re missing out. (period)


Spring Storm
 
I love a storm in early May
When springtime's boisterous, firstborn thunder
Over the sky will gaily wander
And growl and roar as though in play.

A peal, another - gleeful, cheering...
Rain, raindust... On the trees, behold!-
The drops hang, each a long pearl earring;
Bright sunshine paints the thin threads gold.

A stream downhill goes rushing reckless,
And in the woods the birds rejoice.
Din. Clamour. Noise. All nature echoes
The thunder's youthful, merry voice.

You'll say: 'Tis laughing, carefree Hebe -
She fed her father's eagle, and
The Storm Cup brimming with a seething
And bubbling wine dropped from her hand.

July 09, 2012

Purely From Curiosity


This was really hard to do, and there are hundreds of other poets I love apart from those named here, but I was just too curious. The order of this list no doubt changes with my daily mood or taste or even needs, but this is the official list of my top 20 favorite poets.

1.       Emily Dickinson
2.      John Milton
3.      William Butler Yeats 
4.      Theodore Roethke
5.       Rainer Maria Rilke
7.      Mathew Arnold
8.      Robert Hayden
9.      Christina Rossetti
16.   Sylvia Plath
19.   Wilfred Owen

Dickinson and Milton are the only two poets that alternate as my top favorite poet.

June 13, 2012

Yeats, My Influence


 
Born today in 1865: William Butler Yeats 

I love Yeats … came to know him early, early on. What I appreciate about him is his mysticism, his incorporation of mythology (especially Irish mythology, of course) into his poems, his diversity, and the depth of his prolific imagination. 

He inspires me to be creative and to explore not just the ‘rosy’ side of poetry, but comedic side; the tragic side; the hopeless and melancholic side …  the infernal side. He taught me that poetry is a strong, broad-spectrum realm, and by no means some tiny little limited sphere within the world of art.

He helped me appreciate poetry, and for it I thank him dearly.

On my list of poets, he’s one of the highest.

June 01, 2012

To the Weary


When Sadness Has My Soul Distraught

When sadness has my soul distraught
And twists my weary, weary bones
And owns my bright blue days with gray
And manifests with moans

I will not shrink, nor I repine
Beneath the anguish running deep
Nor sleep will I through all the day
Nor endless will I weep

For though the pain and woe are real
I know that inly I am strong
Let throngs of troubles trouble me
They cannot quench my song


Poetic Parameters:

Stanza: Quatrain 
Meter: Lines 1 through 3, tetrameter; line 4,  trimeter
Rhyme scheme: abab dcdc efef 

Note: Notice that the second word of the third line of each stanza rhymes with the last word of both lines two and four (I thought it a good device to use to keep the poem ‘glued together’ better).

The Poets

As of April 9th, 2010