Showing posts with label Classical Music. Show all posts
Showing posts with label Classical Music. Show all posts

March 21, 2012

Happy Birthday Bach!



Today is the 327th birthday of one of the most popular and most talented Baroque composers known, Johann Sebastian Bach. The Baroque period is by far my favorite period in classical music (Vivaldi being my all time favorite composer).

Anyhow, although very familiar with Bach and his works, I was quite surprised to find out from my cousin that- apart from being a great classicalist- he was also a great writer of poetry. Wow! I had no idea.

My cousin, Chris May, posted one of Bach’s poems to me on Facebook- I loved it! Bach’s definitely a good writer of verse- no question about it. He just went up a notch in my Book of Creative Minds (… I don’t literally own such a book).

Here’s that poem, let me know what you think …




******


Edifying Thoughts of a Tobacco Smoker

Whene'er I take my pipe and stuff it
And smoke to pass the time away
My thoughts, as I sit there and puff it,
Dwell on a picture sad and grey:
It teaches me that very like
Am I myself unto my pipe.

Like me this pipe, so fragrant burning,
Is made of naught but earthen clay;
To earth I too shall be returning,
And cannot halt my slow decay.
My well used pipe, now cracked and broken,
Of mortal life is but a token.

No stain, the pipe's hue yet doth darken;
It remains white. Thus do I know
That when to death's call I must harken
My body, too, all pale will grow.
To black beneath the sod 'twill turn,
Likewise the pipe, if oft it burn.

Or when the pipe is fairly glowing,
Behold then instantaneously,
The smoke off into thin air going,
'Til naught but ash is left to see.
Man's fame likewise away will burn
And unto dust his body turn.

How oft it happens when one's smoking,
The tamper's missing from it's shelf,
And one goes with one's finger poking
Into the bowl and burns oneself.
If in the pipe such pain doth dwell
How hot must be the pains of Hell!

Thus o'er my pipe in contemplation
Of such things - I can constantly
Indulge in fruitful meditation,
And so, puffing contentedly,
On land, at sea, at home, abroad,
I smoke my pipe and worship God.

-J.S. Bach



Of the Poem (Poetic Parameters):

Stanza: Sestet (in this case, a quatrain with a couplet).
Meter: apart from lines 1 and 3, all of the lines are done in tetrameter (i.e. eight syllables); lines 1 and 3 are a nine syllable count.
The rhyme scheme is pretty obvious: a.b.a.b.c.c.

Notice that Bach extends lines 1 and 3 by ending, what would otherwise be a tetrameter, the lines with multi-syllable words. Cool stuff … and the content of the poem- wow.

October 15, 2010

Carl Orff's In Trutina


On my way home from work Wednesday I was listening to classical music on Colorado Public Radio (they were having a fundraiser) and to my delight they played a song from among Carl Orff's collection, Carmina Burana ... the piece they played was In Trutina.

Now I've heard this piece plenty of times, but it wasn't until then that I first learned of the song's poetic value.

Turns out that 'Carmina Burana' is a name that Orff borrowed from an early medieval manuscript that consisted of roughly 254 poems and satirical stories. The name itself means "Songs from Benediktbeuern".

The collection of poems, almost all of which were written in Medieval Latin, was discovered in a Benedictine monastery in 1803 and was dated back to as early as the 11th century.

It was from this collection that Orff selected 24 poems that would eventually come to constitute his Carmina Burana.

Among these poems is the one I mentioned hearing two days ago, In Trutina. Here's the Latin version followed by an English transliteration. Short but gorgeous.


In Trutina

In trutina mentis dubia
fluctuant contraria
lascivus amor et pudicitia.
Sed eligo quod video,
collum iugo prebeo:
ad iugum tamen suave transeo.

In Trutina

I am suspended
between love
and chastity,
but I choose
what is before me
and take upon myself the sweet yoke.


Of the Poem (More Ambiguity)

Some say it's a poem about a young girl's decision to fall in love rather than to become a nun. She says she's trapped between love and chastity; that is, between marriage and sisterhood.

That she chose marriage is said to be clear from the last line where she apparently refers to it as "the sweet yoke". I contend that this isn't necessarily the case ... "the sweet yoke" could just as easily refer to her commitment as a nun and a lover of God alone (Matthew 11:30).

Funny. Seems the key to interpreting the poem adequately rests on a single word found in line 5: "what". If we knew "what" was there before her we'd know "what" it was she chose.

And so here we are, forced by the presence of ambiguity to arbitrarily choose what the poem means to us subjectively.

Truth be told ... I like that kind of freedom.


If you’d like to hear the song (in Latin) click here … it’s only a few minutes long, and I promise you’ll enjoy it. Notice the different rendering of it in English.

Also, I've come across a slightly different Latin spelling for Trutina- Truitina. Just thought I'd have you know.

The Poets

As of April 9th, 2010